2026 is the new 2016

Written by Maria Francesca Ficarra In a world that increasingly feels (or rather is) one breath away from disaster, we are instinctively driven towards the idea of certainty, searching for means of escapism, and what better comfort there is than the rose-tinted memories of 2016? At the beginning of the year we witnessed a surge… Continue reading 2026 is the new 2016

The Beauty of Gore

Why Are We So Attracted to Murder Mysteries?  Written by Nastassia Tsialpuk Why are we as humans so fascinated with blood-curdling stories of serial killers, and why do we derive a sort of guilty pleasure from indulging in consuming them? What kind of masochistic tendencies make us want to flip through the gruelling details of… Continue reading The Beauty of Gore

Why are Korean women such good writers?

Written by Livy Li After the phenomenal success of the film Kim Ji-young: Born 1982, I went to read the novel. On Japanese Goodreads, many people gave it four stars. One highly upvoted review said: “A thin book, just over a hundred pages, sparsely printed and written like a diary without any literary flair. Hardly… Continue reading Why are Korean women such good writers?

Gatekeeping, or the art of being tasteful

Written by Maria Francesca Ficarra “We need gatekeepers again – new, more diverse ones. Editors, experts. Taste isn’t a democracy, nor should it be populist. It comes from experience and exposure… Just because you eat doesn’t make you a restaurant critic.” This extract from a Substack post written by Emily Sandberg sparked a lot of… Continue reading Gatekeeping, or the art of being tasteful

The (dead) art of music criticism

Written by Bouchra Haddani In the time of vinyl and cassettes, a music critic was someone an artist would fear. Musicians, especially in pop music, sought their approval because they knew that by  winning them over to his side, listeners would follow. Fans tended to feel as though their opinion was inferior to the one… Continue reading The (dead) art of music criticism